“Maja Mirek is the mistress of the stage. Her patterns of movement, at times graceful, at times fierce, merge through tireless energy into a vibrant fusion of charisma. Her danced art is remarkably precise.

(…) Gustavo de Oliveira Leite joins Mirek in delivering a dynamic pas de deux of the highest caliber—a true pinnacle of performance”.

Manfred Merz, Die Harmonie der Wildnis, for the Gießener Allgemeine, 22.09.2024

Am Ende

What does it take to generate hope? What certainties can we rely on? How does personal confidence develop into a collectively shared dream? ‘Am Ende’ is about an attitude to life that is practised in enduring vagueness and unpredictability without closing our eyes to the future. Instead of keeping us passive or naïve, hope opens up a space for imagination, for agency, vigour and creative ways of change that not only include trust in one's own life. The dance ensemble explores the paralysis of hopelessness in the face of threatening global destruction scenarios as well as the hopeful mobilisation of bodies. It spans an arc from Baroque times to the future and from the deepest forest to protest on the street.

concept and direction: Constantin Hochkeppel

assistant choreographer: Niv Melamed

conductor: Andreas Schüller, Vladimir Yaskorski

original composition: Marco Mlynek

stage and costume design: Esther-Helin Bienroth, Raphael Jacobs

dramaturgy: Caroline Rohmer

production: Stadttheater Giessen

WITH

Pin-Chen Hsu, Gustavo de Oliveira Leite, Rose Marie Lindstrøm, Maja Mirek, Jeff Pham, Magdalena Stoyanova, Omar Torrico Real

Orchestra of Stadttheater Gießen

premiere: 21.09.2024, Giessen (DE)

pictures by De Da Productions

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